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Home » Collections » Venice Carnival – a Photography and Adventure of Canals, Masks and Architecture
Venice Carnival – a Photography and Adventure of Canals, Masks and Architecture

Venice Carnival – a Photography and Adventure of Canals, Masks and Architecture

by Darlene Hildebrandt | Last Updated: November 20, 2021

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I’m sure you’re up on current events in the world and are aware there is a viral outbreak going around the globe. Well, I’m going to share with you some images and stories of my adventure to photograph the Venice Carnival during the Coronavirus outbreak in Italy.

Hang on to your butts! (Bonus points if you know the movie that line is from and who said it!)

Disclaimer: First of all, I’d like to state that I’m not an expert on the virus I just want to share the story of my experience being in Venice and in Italy when it broke there.

But primarily I’m going to share some of my images and tell you about how I made them in order to inspire you to go to and experience the Venice Carnival for yourself. It was a bucket list item for me and it totally lived up to my own expectations and more.

What is the Venice Carnival?

I assumed everyone knew about Carnival in Venice with all of its masked characters. But once I started posting a few photos on social media it became evident to me that was not the case.

Masked models on a bridge over a canal in Venice.
Masked models on a bridge over a canal in Venice. More on the story behind this group and the photos I took of them later.

All I really knew before I went was that once a year in Venice, the city of gondolas and canals, they hold a big party.

Everyone dresses up in elaborate costumes and fancy masks and parades around the square.

That was enough for me to know I had to see it with my own eyes. As I said before, it did not disappoint.

Venice Carnival is a photographer’s paradise. Amazing subjects are everywhere!

venice carnival costumes and masks at blue hour in front of gondolas with St. George's Cathedral in the distance
I had this kind of image in my head as something that I wanted to create and I was able to pull it off! More on how I did this later, keep reading!

So I had to do some Googling to find out more about the history and why it started and how it evolved over the years.

Carnival started in 1162 (possibly earlier) as a simple victory celebration of Venice’s triumph over a rival enemy, Patriarch of Aquileia. People came together in San Marco (Saint Mark) Square to dance and party.

For hundreds of years, it continued in the streets and squares of Venice.

The masks were created to allow for total anonymity. So one could go as anything they wished, be anyone they wanted – with no judgment or consequences.

A pauper could dress like a king, a man could dress like a woman or vice versa, and so on.

husband and wife dressed as females in costumes and masks at venice carnival
This is a husband and wife pair, for example, both dressed as females.

It was then banned in 1797 when Venice came under Roman rule. But in 1979 the Italian government reinstated it as a way to rejuvenate the economy of the city and bring people to Venice.

It worked!

If you want to read more about the Venice Carnival this is a good article.

Masked characters with over the top elaborate costumes flood the city each year for Carnival and all its festivities. Tourists and many (SO MANY) photographers join the ranks to enjoy the splendor, myself included!

photographers competing for space to photograph a man in an amazing costume and mask on a bridge at venice carnival
Here’s an example of an amazing costume and the number of photographers.
a stunning mask and costume at venice carnival
This guy’s costume was amazing! It’s no wonder there was always a crowd around him trying to capture an image.
a square in Venice with crowds of photographers and masked costumed characters
This was one event that we went to one day in one of the squares near our hotel. You can see the sheer number of people, I’d say 70% of them are photographers!

How to attend Venice Carnival

It’s pretty simple to attend. Just book your travel and a room and show up. That’s it.

BUT I highly recommend that the first time you go, you do so with someone who’s been to Carnival before and knows how to work it.

Someone that speaks the language (Italian obviously, but even my limited French came in handy as many of the masked models are from France), and who knows how to get around, where to find the best mask gatherings, and can even organize some private photo sessions with costumed models for the group.

Ugo Cei photographer with antique camera
Ugo Cei with antique camera on tripod at venice carnival

Allow me to introduce my friend Ugo Cei.

He is an Italian photographer and teacher and he runs a photography tour to Venice for Carnival each year. I was honored to be invited as his guest instructor this year.

So thank you, Ugo, for making one of my dreams a reality.

If you want to do this next year, you can join Ugo and follow in my footsteps. Who knows, I may just do it again (did I mention he also knows all the best places to eat, where the locals go not the tourists?!).

venice carnival photography tour banner showing costumed couple at blue hour in St Marks Square

What to Photograph in Venice

There are several iconic images that come to my mind when I think of Venice. I wanted to capture all of them with my camera.

Luckily I think I did a pretty good job of getting most of the ones I wanted.

The City of Venice

Let’s take a look at what’s to photograph in Venice besides masks.

It’s unique in the world as there are absolutely no cars, no bicycles, no traffic other than boats. You need to get around everywhere on foot or on the water.

So first off, if you go be prepared to walk – a lot!

Not just flat surfaces either, there are lots of stairs. You’d think because Venice is basically a man-made island it is pretty flat right. Yes, but in order to allow boats to pass through the canals, there are many, many bridges.

iconic photo of venice showing gondola passing underneath a bridge over the canal
I took this image to try and convey the feeling of Venice with the canals, gondolas, and bridges. A friend who lives in Italy said I captured the essence of Venice in this image – YES nailed it!

Imagine every time you have to cross the road you have to go up and over it instead. It’s like that.

Plan on 8-16 steps up (or more on the bigger ones) and down every canal that you cross. In the course of a day that might be 20 or so. Suffice to say I got my 10,000 steps in daily and then some.

Canals

For me, I wanted to shoot one of the smaller side canals at night.

Maybe catch a reflection in the water and a boat or two going through the scene. The first evening there I was able to do just that, practically right outside our hotel.

*Ugo picks the best location for the tour group and can recommend where to stay so you’re close to all the action. We met another photography group that was staying several ferry boat stops away and it took them an hour to get to the main square. Whereas we were a 10-minute walk.

boat in the venice canal at night
Boat in a canal at sunset – check! Exposure: ISO 200, f/22, 3 seconds. Notice the starbursts from the lights, that is due to using a small aperture – you can start to get this effect using f/8 and smaller.
venice at night showing calm water on the canal
Blue hour and peaceful setting – check! Exposure: ISO 200, f/14, 6.5 seconds. The long exposure helps the water appear more still and calm even if there are some ripples.
venice at night with a building lit up across the canal
Another boat, and I was enamored with this round building for some reason. Exposure: ISO 200, f/8, 6.5 seconds.
reflection of a building in the water of a venice canal at night
Reflection in a canal – check! Exposure: ISO 400, f/13, 30 seconds. I used a long exposure here to get the water even smoother.

Then there’s the other iconic shot of the Grand Canal. Ugo took us to the Academia Bridge one day for sunset and blue hour. Here are my favorite images from that shoot.

NOTE: You need to use a tripod to get shots like this using long exposures.

Read: 9 Tripod Mistakes That Could Be Ruining Your Images and Putting Your Camera at Risk

venice grand canal at sunset
Venice Grand Canal at sunset. Doesn’t it just look like a painting, like it’s not real? Exposure: ISO 200, f/16, 1/10th of a second (using a tripod).

Use Cloudy or Shade White Balance preset to add more orange/yellow to your sunset images, or do a White Balance shift to add pink.

Read: 3 Tips for Creating Spectacular Sunset Photos

boat light trails at night in the venice canal
Boat light trails. Exposure: ISO 200, f/11, 15 seconds.
boat light trails in a canal in venice at night as blue hour develops
Notice as the light fades in the sky the blue intensifies. Use Daylight White Balance at this point. Exposure: ISO 400, f/13, 30 seconds.
composite photo of boat light trails in a canal in venice italy combined using Photoshop
Composite image – this is a combination of several different shots. I put them together in Photoshop because I wanted the canal to look like it was busier with lots of boats. I can’t decide if I prefer this one or the image above.

Read: Guide to Photographing Light Trails at Night (cars and boats!) to see how to create images like this.

Gondolas

Another unique aspect and feature of Venice are the gondolas.

Imagine a romantic ride in a luxurious gondola, being rowed by a singing gondolier. Yes, that’s all true. And for only 80 Euros for 30 minutes, you can have that experience.

If you go with Ugo he also arranges for each tour participant to get a ride in a gondola with one or two masked models.

So not only do you get to enjoy the ride, you have built-in subjects to photograph the whole way.

iconic photo of venice with gondolas floating in the water with St. George's Cathedral in the distance
This is the “must-have” shot from Venice of the gondolas bobbing in the water across from St. George’s Cathedral in the background. Exposure: ISO 200, f/22, 2 seconds. The lantern had already been turned off but I wanted it to have a soft glow to match the sunrise. So I faked it using the Adjustment Brush in Lightroom.
reflections of a building in the water with gondolas
Reflections of yellow and blue. I’ve shared this image on Facebook and have been told by several people that this is their favorite of mine – ever! Processed using Lightroom and punched up using Luminar 4.

Without Ugo and knowing where to go and what time of day to be there, I would not have gotten that shot.

There is a yellow building in the background, and at a certain time of day, if the sky is clear and it’s sunny you will be able to see this. With the blue sky, yellow reflection and red on the boats it’s simple and visually stunning.

photo of passengers in a gondola as it passes below a bridge over the canal
I wanted a shot looking straight down onto a gondola and a guy with the straw hat and ribbon – check! Notice the camera lenses at the bottom of the image, in the middle! That’s someone from our tour heading out on his gondola ride with that model.

The next image was taken inside the famous Acqua Alta bookstore. It’s very old and has books everywhere, including inside a boat, and many cats wandering around like they own the place.

Acqua Alta bookstore in Venice Italy
Acqua Alta Bookstore.

It’s significant because at the back of the bookstore you can climb a book ladder to look out over the canal. It’s from that viewpoint I took the following images.

Notice the masked models in the boat in the left image. Guess who was in the boat? It was Ugo and Chris (one of the tour members).

I had taken the rest of the group to the bookstore while there were on their ride, and the timing worked for me to capture them as they went by – totally by luck!

Gondola passes by in Venice canal
Tour leader and guest in gondola on Venice canal

Finally, here are some of the 118 or so images I shot in the span of 30 minutes on my gondola ride. These are my favorites.

Costumed and masked characters in gondola on Venice canal
Here a little beam of light was coming in from the left and I waited until it was on her. I intensified the color and gave the image a glowing effect using Luminar 4.
Costumed and masked characters in gondola on Venice canal passing under bridge with sunflare
I was going for a sunflare (I used f/10 to get the starburst) and had a few successful attempts. I actually added more sun rays here using Luminar 4.
Costumed and masked characters in gondola on Venice canal with another sunflare
Another sunflare shot I liked (shot at f/14 to get the starburst effect) which I color grading using a LUT in Luminar 4.
Costumed and masked characters in gondola on Venice canal passing under a bridge with reflection on underside of bridge
Here I loved how the reflection of the water was dancing on the underside of the bridge and how the gondolier was ducking as we went underneath.

Architecture – markets – local craftsmen

It also goes without saying the Venice is rich with history, amazing architecture and many other cultural aspects (food of course) as well. Here is a look at a few of those things.

Architecture

Vertical HDR photo of sunrise in San Marco Piazza using 3 photos combined
Sunrise in San Marco Piazza. This is an HDR image made from 3 shots bracketed and combined in LR.
HDR photo of sunrise in San Marco Piazza using 3 bracketed photos combined in Lightroom
Sunrise in San Marco Piazza. Another HDR image made from 3 shots bracketed and combined in LR.
brick buildings showing their color against blue sky
I loved the color of the red brick buildings against the deep blue sky, and the shadow of the dome is cool too.
canals and bridges in venice italy
Double canal and bridge. I did a sky replacement on this one using Luminar 4 (takes only a few clicks) because it was plain and kind of boring.
two masked and costumed characters pose under the archway beside the columns at Doge Palace
Love the archways and tile work here. This is part of Doge’s Palace which was built in 1340 (now a museum) right on St. Marks Square.

We took a ferry boat ride (called a Vaporetto) over to Burano, an island in the lagoon where they make lace. It’s super cheerful with all the houses painted bright colors.

an early morning scene of life on Burano Island
Early morning life on Burano Island. Many of the church and clock towers on Venice and the islands are leaning, some quite a bit.
colorful buildings and laundry on Burano Island
I don’t know what it is about photographers and laundry, but it’s a thing, right?
colorful buildings and laundry on Burano Island
colorful buildings and laundry on Burano Island
Reflection in the canal in Burano
Reflection in the canal in Burano.
Laundry hanging between buildings in Venice
More laundry, this time back in the main city of Venice. I added a color tone using something called a LUT and a texture overlay using Luminar to give it an antique feeling.

Market

Here are a few photos from our visit to the Rialto market.

I bought some pasta spice mixes and by comparison to shops in Florence later, I got a really good deal! The market vendors sell flowers, spices, fruit, vegetables, meat, and fresh fish. I love European and Asian markets!

Read:Tips for Photographing Local Street Markets When Travelling

oranges for sale at the market
produce available at the market
Venice market photo showing produce available for sale
peppers and tomatoes at the venice market

We watched as a gang of seagulls tried to steal sardines from one stall. One would swoop down and grab a few, shouting in Italian followed along with waving of arms and a big stick.

If one bird dropped some of his loot, the others would come in and grab it, with lots of loud squawking.

I didn’t get a good shot of the shoplifters, but a couple of people in our group with longer lenses managed to do so.

fish and other seafood for sale on display at the market in Venice
Bird caught stealing fish from the market vendor - photo by Chris Lord
Image courtesy of Chris Lord – see more of his images here.

I started to really like the idea of stand up coffee bars and espresso.

The idea is you go into a bar or coffee shop when you need to use the toilet. It’s about 1.00€ to use the public toilet, or you can pay about the same or 1.50€ to get an espresso.

So you go in, order your coffee, use the toilet, swig your coffee back and you’re done.

Quick and easy, no fuss no muss and you get a quick caffeine boost.

In most cafes, if you drink your coffee at the bar you’ll pay a lot less than if you sit down and get table service. Then you can expect to pay 2.50€ or more. Also note, that if you order a “coffee” you’ll get an espresso (do NOT pronounce is EX-presso that’s a no-no).

Craftsmanship

As part of the Venice tour with Ugo we visited two craftsmen – a glassmaker and a puppet maker.

I missed out on seeing the glass sticks made into jewelry and other neat things (my back was hurting that day if I recall) but I did meet the puppet maker Roberto Comin.

puppet on display at puppet maker shop
a collection of puppets on display at the puppet maker shop in Venice

He truly is Geppetto, and he reminded of Roberto Benigni the actor who starred in Life is Beautiful (1999 Best Pictures the Oscars). His work is fascinating and is a lost and dying art.

There is no doubt the passion he has for what he does and his creations are full of life and creativity.

Johnny Depp even owns one of his puppets. It is of course of Captain Jack Sparrow and was ordered by Johnny’s assistant for his birthday one year.

Puppet maker Roberto Comin with his puppets in his shop
Portrait photo of puppet maker Roberto Comin in his shop in Venice Italy
Portrait photo of Roberto Comin at his desk
Roberto Comin and one of his puppets
Roberto Comin and a puppet in Venice
Puppet in Carnival costume

If you’re interested you can even order a puppet of yourself or a loved one! Check out his website HERE. They are all hand made and not as expensive as you’d expect (500€ for a large one, 20% more for a custom one).

Note for shooting in a location like this where the light was dim and it was fairly dark you need to have a lens with a large maximum aperture.

Read more here: Tips for Low Light Photography

Masked models

Okay, so I haven’t even gotten to the good stuff yet – the masks!

At Carnival, they often refer to the costumed characters and models that wear fancy masks simply as that – Masks. So if you see me use that term, that’s what it means.

a photo showcasing the elaborate nature and detail in the masks and costumes at Carnival - Model Paolo Favalesi
Look at the detail on this mask and costume worn by Paolo Favalesi. He’s the one that was surrounded by photographers above – can you see why??

I was expecting to see a lot of masks and fancy costumes, but I was blown away by the sheer number of Masks and how elaborate and intricate each costume and outfit was.

In chatting with a few people I learned that many of them search the globe for accessories, fabric, hats, wigs, jewelry, etc., just to complete their ensemble.

It’s so impressive the great lengths they go to to create their outfits.

Some have designers make the clothing portion, and high-end mask makers do that portion. There were some with moving parts, many with lights, and some had hats that looked like they weighed a ton (below right his hat has a lamp in it!).

One lady’s headpiece was 6kg (below left, Solange Sophie Pauline Solangissima)!

Lady in costume and mask at Venice carnival festival
Venice carnival Costumes and Masks
Characters in costumes and masks at sunrise in Venice during Carnival
See the light in his hat here! Shot at sunrise.

They also walk around in costume all day and do not take their masks off in public. I imagine for some just going to the toilet requires planning and assistance. And I can’t even fathom the cost of some of them!

That’s something else Ugo does for the photography workshop attendees. He explains about all this and what is the proper etiquette when photographing and just being around Masks.

It’s impolite to eat or drink in front of them because they cannot. All good things to know so you can do the right thing!

Some people even have multiple costumes and outfits, and they usually create a new one every two or three years.

One couple I met (in the gondola ride) have been doing this for 30 years! They used to be photographers, then got into coming in costume.

Florine Houee poses in her costume and mask
This lady (Florine Houée) was working with our group quite a bit and I saw her with at least three different costumes. She’s also in the group shot above (right) in the purple outfit.

Amazing! I’m hooked! I also met many other photographers from around the world who I’ve now connected with on social media to follow one another.

It’s great meeting people with a common interest and connecting, without often even speaking the same language. For me that’s another huge benefit of photography – it’s visual, not spoken words.

Here are a few more of my favorites. There are too many to put them all here (see slideshow at the bottom of the page to see them all).

two characters in Carnival costumes
a Dog at Venice carnival in costume
Even the dogs get into it!
masked character at carnival looking through periscope
costumed character alongside a canal in Venice during Carnival
Historical costume worn by Isabelle Guerlais
Not everyone wears a mask, there were many historical character kinds of costumes as well, like this one by Isabelle Guerlais.
Dog and owner in historical costumes on the streets of Venice
This is another outfit of Isabelle’s, and her little dog who was super cute.

Below is another one of the most spectacular costumes I saw, this one is worn by Santiago Garcia Pastor.

Vibrant colors and costume design
Massive head dress on this carnival costume

The model below was simply stunning and very queen-like.

Historical costume without mask
Queen like costume on the street of venice

A quick story of serendipity

I want to share a little story with you about thinking out loud and asking for what you want (of The Universe, God, or whoever you pray to).

On the day we went to Burano Island we were all walking to the boat stop (like a bus stop) and I noticed this really interesting spot (see below).

An empty courtyard with bricks and archway makes for the perfect shooting location
I was attracted to the rough bricks, the double archway and how the light played around in this empty courtyard.

I pointed it out to another person in our group and voiced my interest in photographing a Mask there in that spot. Fast forward a couple of hours and we were coming back from the island and happened to be walking with a few Masks including these folks.

Several costumed and masked characters pose on a bridge at the grand canal

I had photographed the couple in the bird costumes and the pirate girl a few times already and had been chatting with them on the boat back.

We got to that exact spot above, the one I wanted to shoot a Mask in and the man asked me, “Can you please take our photo there?”

How is that for serendipity and manifestation!?

The light was even better than it had been in the morning and I was able to create these images.

bird characters pose in the courtyard
Bird characters posing in the archway of the empty courtyard edited with Luminar 4 sky replacement feature
I did a quick sky replacement here using Luminar 4. The original image was just white, hazy and blah. I tried to match the blue in their outfits and make it appear as if they were about to take flight.
Pirate character points faux gun and acts as if they are robbing the bird characters
I can’t take credit for the idea of having the pirate hold up the birds, it was someone in our group. But it worked out great for a unique image.
pirate character poses for portrait

Do something different – stand apart

So here is the challenge of Venice Carnival – how do you get images that are different than the other 6000 or so photographers shooting it? Here are a few of the ways I tried and dared to be different.

  1. Camera angle (get down low or up high)
  2. Do some long exposures
  3. Use off-camera flash
  4. Light painting
  5. Shoot with an infrared converted camera and make it b/w
  6. Experiment with a Lensbaby lens

#1 is easy and you can see examples of that in many of my images above.

The second (long exposures) you can see in the images of the Grand Canal and some that I shot at sunrise below.

People who know me, know that I do NOT like getting up early. So for me to go shoot at sunrise THREE times in one week, it’s a big deal!

Long exposures

For these images, I was up and out in the square before 6 am (sunrise was 7 am). All I had to do was get up, throw on some clothes and grab my gear.

Imagine the preparations the Masks have to do, but they do it because they were there well before me!

Costumed character poses at morning blue hour under an old fashioned street lamp in St Marks square
There are no people in San Marco (St. Marks) Piazza here because it is 6 am! Exposure: ISO 400, f/5.6, 1/3 of a second.
angle of death costume at blue hour
ISO 800, f/5.0, 1 second.
brilliant red costumed character at sunrise in St Marks square
ISO 200, f/7.1, 1.3 seconds. Notice the boats are a bit blurry due to the long exposure but he stood totally still.
two models pose in St Marks square at sunrise with gondolas
ISO 400, f/5.0, 1/3 of a second.
on the dock in St Marks square at sunrise
ISO 400, f/5.6, 1/20 of a second.

NOTE: For all of these images I used a tripod. You cannot do this kind of shot without one. You’ll notice a bit of movement in some of the images like the Angel of Death’s wings. But the ground and anything that is solid is sharp.

Off-camera flash

I did a fair bit of processing on these to pull out the models though.

So I went back another morning with the intention of using off-camera flash to light the Masks. There were many photographers shooting each model at the same time and some of them were quite pushy and rude.

So on the last day, I decided I’d be a little more aggressive and I didn’t care if I annoyed someone else by getting in their way temporarily.

I put my camera on the tripod and the remote trigger for my flash on the hot shoe on top. I set the exposure to UNDER exposed the ambient or natural light and set the flash to expose the model correctly.

These are some of the results.

black and white conversion of angle of death costume lit with off camera flash
Here I underexposed the ambient almost completely (it was kind of a mistake) so I converted it to b/w and made it more dramatic. Exposure: ISO 400, f/5.0, 1/60th. Compare this exposure to the next shot!
color version of angle of death costume lit with off camera flash
Exposure: ISO 800, f/6.4, 1 second. See how much more exposure I’ve given the natural light here? That is ALL controlled by the shutter speed, and to the ISO plays in as well. Here the flash was off to camera-right.

I was by myself, so what I did was I put my camera in the 2-second timer mode so that I had a delay before it fired. Then I pressed the shutter button, ran four or five feet to my right (annoying the photographers over there) and held the flash up, pointed at the subject.

That was my method and I had to do it for every single frame I shot. So I think I pissed off a few people that morning but there were fewer than other days so I can live with it.

angle of death costume lit with flash zoomed in for more of a spotlight effect
Here I zoomed the flash in so it made more of a spotlight on the Angel of Death. I also lowered my camera angle so I am looking up at him. Exposure: ISO 800, f/6.4, 0/5 second. As the sun rose, I had to adjust the shutter speed to make sure not to overexpose the background.
costumes at carnival lit with flash during blue hour
Exposure: ISO 200, f/4, 1/3 of a second.
off camera flash used in this photo of Venice carnival costumed characters and lamps made to look lit with photo editing software Lightroom
Exposure: ISO 200, f/8, 1 second. Notice the lights on St. George’s in the background are now off. So were the lamps behind them. So I turned them on (faked it) using an Adjustment Brush in Lightroom. I matched the tone of the lights to the pink in the sky.

Light painting

One thing I like to do that’s different is light painting.

I haven’t done a lot of it with live models but Ugo and I decided that we’d give it a try so I brought a bunch of Light Painting Brushes and this is what we came up with one night.

Thanks for Mango Cola and Zia Vale for being willing to pose for us while we played around and experimented.

First light painting attempt with models at night showing a blue spiral effect around them
This was one of our first attempts. She moved a little bit during the exposure but it’s hard to stay perfectly still for that long. Exposure: ISO 200, f/8, 20 seconds.
night photography light painting using a flashlight for the effect at Venice Carnival
Then we tried just using a flashlight – not bad! Exposure: ISO 200, f/8, 20 seconds.
Light painted characters in costume
Then these two German ladies happened to walk by and were interested in what we were doing. They had the perfect costumes so we invited them to join in.

Then the lady on the left got the idea of dancing through the scene during the exposure. So she did!

an interesting effect of light painting

She was a very quick study, and she assessed that it was too much so we tried it again with less dancing and more walking.

second attempt for a different effect with light painting
Better! But she still wasn’t happy with it so she said: “Aha I need to go behind him!”. Smart lady!
Final shot of Carnival characters and light painting effects
This is our final result.

So the image above was a collaboration of myself and Ugo, the two German ladies, and the models.

I did the blue wash of light going over them using the white fiber-optic brush, Ugo lit their faces with a flashlight, and our German models provided the light streaks by walking behind them.

Pure magic! I love it when stuff like that happens.

Infrared camera

Recently I sent my old Fuji XT1 to be converted to infrared.

They have a process where they remove part of the coatings on the digital sensor and install and IR one to allow it to see and record infrared light which is invisible to the human eye.

I chose the 720nm filter.

It costs around $275 USD per conversion, plus shipping.

infrared photo of character in costume under old fashioned street lamp in St Marks square, Venice Italy

I did my IR conversion with Life Pixel (I’ll do a full review of my experience and the process another time) and was excited to take it along and use it. I’ll admit I thought it would be a lot easier, and because I had shot b/w IR film figured I could just wing it.

Thanks to Venice tour member Fritz for pointing me in the right direction getting my camera set up and some processing tips.

Here are a few of my favorites and a color version (shot with my regular Fuji XT3) for comparison.

Color version of vampire character at Carnival
Vampire character at Carnival in Infrared
Infrared photo of woman in costume at Carnival
Color version of woman in costume
Court jester character against the sky in Infrared
Masked Carnival character in infrared

So I learned that there are a few tricks to shooting infrared and to processing it.

If you’re considering getting one of your old cameras converted, or you can even buy one from Life Pixel already done – you’ll want to get some education on the entire process.

As I said before, that’s a whole other deal and I’ll write about that another day.

Lensbaby

Finally, (whew this post has become epic!) I took along my Lensbaby Sweeet 50 Optic for something else different.

If you’ve never tried one, it’s kind of like using a tilt-shift lens (without the big price tag).

It allows you to make the edges of your image blurry to varying degrees based on how you position it and the aperture you use. I find that if I shoot too wide open then everything is blurry and that f/5.6 or f/8 is about right.

lensbaby sweet 50 camera lens for creative effects
This is what the Lensbaby Sweet 50 looks like. You twist it and angle it to get the effect you want and focus manually.

Here are a few of my Lensbaby images from Carnival.

Lensbaby example 1
Lensbaby example 2
Lensbaby example 3
Lensbaby example 4
Lensbaby lens used on these two Carnival characters along with a color LUT texture overlay edited in with Luminar 4 for a creative effect
I love everything about this image.

The image above is romantic, dreamy, and different. Even the pigeons cooperated and posed in just the right place.

To enhance it a bit more, I added a color LUT and a texture overlay using Luminar 4 to give an old-world feeling.

Podcast

On our last morning in Venice together Ugo and I even recorded an episode for his podcast, right there in San Marco Square.

It was about 7 am and the fog had just rolled in and it got cold really fast. Watch and you’ll see what I mean and all the activity around us in the square as they set up for what was to be the last day of Carnival (more on that below).

Coronavirus and Carnival

Okay, so let’s talk about the elephant in the room – yes I was in Venice when the order to cancel the end of Carnival came down due to the Coronavirus.

I’m not going to get all doom and gloom on you, but this is my experience of being in a red zone.

Sunday, February 23rd was my last full day in Venice, and they had announced it would also be the last of Carnival 2020. All festivities were to be canceled for the following two days and schools were also closed.

All week the city had been packed with people and the best restaurants had people lined up to get in for a meal. That night the streets were eerily empty and I walked right into a great restaurant for dinner.

Leaving the following morning for Florence by train had the police boarding every train to make note of names and ID information for each outbound passenger. I’ve never experienced that before and I confirmed with Ugo that it was not normal.

Train to Florence from the station in Vienna
My train to Florence shot with my phone.
Inside the train to Florence showing very few passengers onboard
Inside the train to Florence. It was pretty empty leaving Venice. Taken with my phone.

Once in Florence, things seemed pretty much business as usual.

But there were a lot of people wearing masks and it was all over the news. There was a triage tent set up outside the hospital, and sandwich board signs on many corners urging everyone to wash their hands, cover their mouth and stay home if they were sick.

I considered cutting my trip short by four days and changing my flight to come home early.

But in the end, I decided to continue, but I was hyper-aware of anyone that was coughing or sneezing. One lady seated next to me basically sneezed on me (turned my direction) in a restaurant. Another sneezed out into the air – not even an attempt to cover her mouth at a popular city viewpoint.

View of Florence Italy
View of Florence.

Paranoia definitely started to set in and I avoided taking public transport and walked everywhere. My taxi driver who took me to the airport confirmed that there was a lot less traffic than usual including bicycles and pedestrians.

It was February 28th when I left Florence.

That was just the beginning of lockdown in Northern Italy (which would later be expanded to the whole country). Hand sanitizer was used liberally and I even used it to clean the airplane (and train) armrests and tray table.

So I’m thankful to have gotten home safely and hopefully without any extra bugs.

Once home I started a 21-day self-imposed house quarantine.

I canceled or rescheduled all meetings and workshops for three weeks and have not seen any of my family or friends since arriving back home.

That is the proper thing to do, to keep those around me safe just in case I get the Coronavirus (Covid-19) or am a carrier. If you travel, anywhere, by any method – I urge you to consider doing the same.

80 roll package of toilet paper

Now everyone in my city of Edmonton has gone off the rails buying toilet paper and shelves at big suppliers like Costco are empty.

So you can stock up TP if you want, or do what I did – order a bidet toilet seat! I loved the Japanese toilets and didn’t want to replace the whole thing so this will suffice for now.

This is the one I got at a recommendation from a friend (thanks Rita).

Luxe Bidet Neo 185 toilet seat add-on
Luxe Bidet Neo 185

So stay safe, be smart, be cautious – but live life. If you want to stock up on coronavirus pandemic supplies here’s a list for you.

See more images

To see all my top Venice images, play the slideshow below or click here to see the gallery on my portfolio site.

NOTE: This was made using Smugmug. If you want a way to display your images to share with others (that isn’t social media) it’s super easy to use and very affordable, starting at only $48 USD per year for a basic plan. Start your free SmugMug 14-day trial today, and save 15% on a new account. (#aff)

I hope you enjoyed this virtual trip to Venice Carnival with me. Who knows, if you sign up for Ugo’s Venice Carnival 2021 tour you might just see me there. I’m hooked!

Cheers,

Darlene Hildebrandt photographer DPM
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About Darlene Hildebrandt

Darlene is an educator who teaches aspiring amateurs and hobbyists how to improve their skills through her articles here on Digital Photo Mentor, her beginner photography course, and private tutoring lessons. To help you at whatever level you're at she has two email mini-courses. Sign up for her free beginner OR portrait photography email mini-course. Or get both, no charge!

Digital Photo Mentor is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to products on Amazon. As an Amazon Associate Digital Photo Mentor earns from qualifying purchases.

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